Leïla Guinnefollau, in her works, creates a unique universum filled with magic, frozen objects, warm colors and eternal spring. According to the artist, wonder awaits, we just have to become humble observers of this natural phenomenon in order to fully blend into it.
Let’s start with your childhood. How were you as a child? Who were you?
It’s nice that you ask because my cousin Mona, who just visited, and I were reminiscing about our childhood. Mona is a year older than me, and we were very close, like sisters, but without the constant fighting. We always had a blast when we were together.
That sounds lovely. What kind of activities did you engage in as a child?
I was always into drawing and decoration. I had a dollhouse, and I was very particular about the placement of objects and the interaction between the characters. Each day, I would assume different roles – one day I was the father, the next the mother, then the child. This imaginative play had elements of creativity, storytelling, and psychology, all of which are still present in my life today.
How did this creativity manifest as you grew up?
As a child, I was a bit more introverted, but I had the same qualities I have now. I was very talkative and curious, always asking questions and engaging in conversations, especially with my mom. She encouraged me to express my thoughts and feelings, which made me very aware of my emotions and comfortable talking about them with others.
Did you have a favorite color growing up? Something that really stood out to you?
I remember liking colors like ochre and yellow. I was always drawn to vibrant colors, but more importantly, I loved the combination of colors. It was always about how colors interacted with each other rather than a single favorite color.
Do you think this love for color combinations has influenced your work today?
Absolutely. I believe in the sensory experience of colors and materials. I love natural elements and textures, and I often mix warm and cool tones to create contrasts. It’s about creating a balance that feels dynamic and alive.
You mentioned collecting objects. Can you tell me more about that?
I love collecting objects. They hold memories and have personal significance. When I travel, I pick up small items like stones or fragments that might seem insignificant to others but are precious to me. These objects are like souvenirs that carry the essence of a place or moment.
Does this collecting habit reflect in your work?
For instance, when I created a table for an exhibition, it included many objects, each with a story. It’s a way to ensure that everyday items are seen as enchanting and magical. This attention to detail and history gives objects a new life and significance.
How do you choose what to include in your exhibitions? Is it an intuitive process?
It’s both intuitive and structured. I knew I needed a variety of objects to create a dynamic display. Sometimes, inspiration strikes from everyday observations, like seeing a unique lipstick shape, which then becomes an object in the exhibition. It’s a conversation with life, constantly drawing inspiration from the world around me.
Nature seems to be a recurring theme in your work. Why is it so significant to you?
Nature is everything. It’s a reminder of our connection to something greater than ourselves. It’s always present, powerful, and beautiful, yet we often forget it. My work aims to bring nature back to the forefront, highlighting its magic and importance in our lives.
How do you view the relationship between humans and nature in your work?
I see everything as interconnected. Humans, animals, plants – we’re all part of the same essence. In my paintings, people blend into nature rather than dominate it. It’s about showing that we are part of the natural world, not separate from it.